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<channel><title><![CDATA[DORCAS MAPHAKELA - Honey Gully: Karlee Rawkins]]></title><link><![CDATA[https://www.healingwithmywords.com/honey-gully-karlee-rawkins]]></link><description><![CDATA[Honey Gully: Karlee Rawkins]]></description><pubDate>Wed, 20 Aug 2025 02:05:14 +1000</pubDate><generator>Weebly</generator><item><title><![CDATA[Honey Gully, Painting Exhibition by Karlee Rawkins]]></title><link><![CDATA[https://www.healingwithmywords.com/honey-gully-karlee-rawkins/honey-gully-painting-exhibition-by-karlee-rawkins]]></link><comments><![CDATA[https://www.healingwithmywords.com/honey-gully-karlee-rawkins/honey-gully-painting-exhibition-by-karlee-rawkins#comments]]></comments><pubDate>Sun, 18 Aug 2013 16:21:05 GMT</pubDate><category><![CDATA[art]]></category><category><![CDATA[flinders street gallery]]></category><category><![CDATA[karlee]]></category><category><![CDATA[nature]]></category><category><![CDATA[painting]]></category><category><![CDATA[rawkins]]></category><category><![CDATA[review]]></category><category><![CDATA[totem]]></category><guid isPermaLink="false">https://www.healingwithmywords.com/honey-gully-karlee-rawkins/honey-gully-painting-exhibition-by-karlee-rawkins</guid><description><![CDATA[ Honey GullyKarlee RawkinsFlinders Lane GalleryImage: Mummy, Acrylic and Charcoal on Canvas, 213cm X 167cmAs I negotiate my way through a forest of gallery goers, I'm pleased to finally find myself in a different kind of forest, one that earnestly asks for an interrogation that stems from the psyche.'Honey Gully' is a feast of marks, a field of pattern and colour that nestles in compositions, which not only satisfy the naked eye but also begs the viewer to voyage to a place that connects them wi [...] ]]></description><content:encoded><![CDATA[<span class='imgPusher' style='float:right;height:0px'></span><span style='display: table;width:auto;position:relative;float:right;max-width:100%;;clear:right;margin-top:0px;*margin-top:0px'><a><img src="https://www.healingwithmywords.com/uploads/3/7/7/8/3778883/1161811.jpg" style="margin-top: 5px; margin-bottom: 10px; margin-left: 10px; margin-right: 0px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="text-align:left;display:block;"><br /><br /><br /><br />Honey Gully<br />Karlee Rawkins<br /><a href="http://www.flg.com.au" target="_blank">Flinders Lane Gallery</a><br />Image: <em>Mummy,</em> Acrylic and Charcoal on Canvas, 213cm X 167cm<br /><br /><br />As I negotiate my way through a forest of gallery goers, I'm pleased to finally find myself in a different kind of forest, one that earnestly asks for an interrogation that stems from the psyche.<br /><br />'Honey Gully' is a feast of marks, a field of pattern and colour that nestles in compositions, which not only satisfy the naked eye but also begs the viewer to voyage to a place that connects them with nature.<br />"Borrowed from a locality spotted on a road trip" (Rawkins), the title suggests a continuous journey that evolves as nature dictates. This quality is present in Rawkins' technique of fluid marks, controlled line, visible brush stoke and the depicted imagery.<br />Her large canvases breathe life into the totemic images of the winged creatures and trees that they carry. And with works such as <em>Twins, Weed Ceremony, and Cherrybrook</em>, the symbology in this regard is hard to miss.<br /><br />The work that particularly stood out for me was <em>Mummy,</em> Acrylic and Charcoal, 213cm X 167cm (pictured above), a majestic owl that presents itself through the unsophisticated yet rich and well studied marks. The charcoal line that seems to be an after thought seals the composition immaculately.<br />Burnt sienna, colour of the earth that dominates the palette suggests; this is a creature of this land, therefore (we) as the living beings of this land must somehow share a mystical connection with not only this owl but with other creatures as Rawkins&nbsp;illustrates.<br /><br />Goddess Realm notes that in totemic terms, an owl is a symbol of magic and second sight. It is the essence of wisdom and can help discover the truth. These are some of the qualities that come with being not only a woman but also a mother. Rawkins says this body of work depicts &ldquo;a sweet and sticky place&rdquo;, a particular point in her life that resonates with her being a woman and a mother. In being a mother- like an owl - one comes into wisdom, learns certain truths about themselves and others, they become a magical figure to their children and as the evolution continues they realise that similar to nature, their offspring is a source that evokes emotions such as love, pride, peace, harmony and more.<br /><br />Creating art is driven by various reasons including but not limited to the need, the want and/or the profound inspiration. Her subject matter alludes; Rawkins' creation is inspired by internal experiences that are triggered by external factors. That is to say, while her work is a didactic conversation about nature and it's power, which shines through its species, the artist avoids preaching but instead awakens a more personal experience by sending the viewer into their own sacred place that connects them with nature.<br />Learn more about Karlee Rawkins on <a href="https://karleerawkins.com.au/" target="_blank">www.karleerawkins.com.au</a><br /><br /></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>]]></content:encoded></item></channel></rss>